Strawberry
Strawberry
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lustik:

'Masks' by Nancy Coste - Galería 6mas1.
Lustik:  twitter | pinterest | etsy
lustik:

'Masks' by Nancy Coste - Galería 6mas1.
Lustik:  twitter | pinterest | etsy
lustik:

'Masks' by Nancy Coste - Galería 6mas1.
Lustik:  twitter | pinterest | etsy
lustik:

'Masks' by Nancy Coste - Galería 6mas1.
Lustik:  twitter | pinterest | etsy
lustik:

'Masks' by Nancy Coste - Galería 6mas1.
Lustik:  twitter | pinterest | etsy
lustik:

'Masks' by Nancy Coste - Galería 6mas1.
Lustik:  twitter | pinterest | etsy
lustik:

'Masks' by Nancy Coste - Galería 6mas1.
Lustik:  twitter | pinterest | etsy
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Fragment of the face of a queen, yellow jasper, c. 1353–1336 B.C. Middle Egypt
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"… and the weight of the earth is pressed to my ribs."
Virginia Woolf, The Waves (via wavingtovirginia)
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"I can spend three days locked in my house, reading books and drawing and doing music and then suddenly I have a desire to put on a fancy dress and just run to every party that I know for the entire night- and then go back and lock myself up."
Lou Doillon (via embellished-dreams)
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sophieharristaylor:

Keaton Henson, London, November 2013
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"You still have a lot of time to make yourself be what you want."
S.E. Hinton (via ghosts)
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dionyssos:

Raoul Dufy , Indian Women , 1928
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hypna:

Dutch Landscapes
When Google introduced its free satellite imagery service to the world in 2005, views of our planet only previously accessible to astronauts and surveyors were suddenly available to anyone with an internet connection. Yet the vistas revealed by this technology were not universally embraced…
The Dutch method of censorship is notable for its stylistic intervention compared to other countries; imposing bold, multi-coloured polygons over sites rather than the subtler and more standard techniques employed in other countries. The result is a landscape occasionally punctuated by sharp aesthetic contrasts between secret sites and the rural and urban environments surrounding them.
hypna:

Dutch Landscapes
When Google introduced its free satellite imagery service to the world in 2005, views of our planet only previously accessible to astronauts and surveyors were suddenly available to anyone with an internet connection. Yet the vistas revealed by this technology were not universally embraced…
The Dutch method of censorship is notable for its stylistic intervention compared to other countries; imposing bold, multi-coloured polygons over sites rather than the subtler and more standard techniques employed in other countries. The result is a landscape occasionally punctuated by sharp aesthetic contrasts between secret sites and the rural and urban environments surrounding them.
hypna:

Dutch Landscapes
When Google introduced its free satellite imagery service to the world in 2005, views of our planet only previously accessible to astronauts and surveyors were suddenly available to anyone with an internet connection. Yet the vistas revealed by this technology were not universally embraced…
The Dutch method of censorship is notable for its stylistic intervention compared to other countries; imposing bold, multi-coloured polygons over sites rather than the subtler and more standard techniques employed in other countries. The result is a landscape occasionally punctuated by sharp aesthetic contrasts between secret sites and the rural and urban environments surrounding them.
hypna:

Dutch Landscapes
When Google introduced its free satellite imagery service to the world in 2005, views of our planet only previously accessible to astronauts and surveyors were suddenly available to anyone with an internet connection. Yet the vistas revealed by this technology were not universally embraced…
The Dutch method of censorship is notable for its stylistic intervention compared to other countries; imposing bold, multi-coloured polygons over sites rather than the subtler and more standard techniques employed in other countries. The result is a landscape occasionally punctuated by sharp aesthetic contrasts between secret sites and the rural and urban environments surrounding them.